Related: It’s morning in Gary, Indiana. From the windswept deck of a battered, barren parking garage, this century-old city hard by Lake Michigan and 30 minutes from Chicago unfurls like a map of heartbreak and glory. In the foreground, the dual bronze domes of City Hall and the county courthouse rise against white billows spewing from the mammoth U.S. Steel plant across Interstate 90. To the left hulks the faded facade of the Genesis Convention Center, the rounded edges of its early-1980s styling an architectural puzzler beside the neoclassical domes. Just east gleams the pristine U.S. Steel Yard baseball stadium.

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To the west and south, a vast landscape of homes: some well maintained, some boarded up, some as burned and cratered as if in a war zone. And looming over all, casting City Hall itself in shadow, the most potent symbol of disillusionment in a city scarred by it: the abandoned 12-story Sheraton Hotel. On the garage’s deck, a woman in her early 50s walks to the edge and gazes out over a waist-high concrete wall. This is her city, the place where she was born and that she has called home since the days when she was a Girl Scout living with her steelworker father and community service worker mother in a modest frame house on Arthur Street. Where you could shop at Sears and Lytton’s and Goldblatt’s and Sax Footwear or duck into Kresge’s for a 35-cent Sloppy Joe (a dollar with a bag of potato chips and a pop).

Where you could walk the streets at night and stare awestruck at places like the Palace Theater on Broadway. This is the city she knew before Gary became synonymous with decrepitude, squalor, and crime. But the woman isn’t here for nostalgia.

And though she can’t deny that words like “squalor” and “decrepitude” are true enough when it comes to describing certain swaths of her city, they fall far short of defining the people and the possibilities she sees. To her, those who would save this town—who will save it—have to look beyond caricature, use a new vocabulary, see with a new set of eyes. There is bad, yes, and it hurts to see it.

But there is plenty of good too. And nothing is unfixable. Unix For Programmers And Users Free. So when she looks across the highway at the chugging smokestacks of Gary Works on this raw gray February day, she sees not a heartless steel plant that torpedoed the town through rounds of brutal layoffs but “one of the most powerful corporations in the country, pumping at full gear. Oxford Business English International Express Elementary Pdf Files. ” When she looks at the cheerless Goliath that is the Genesis Center, she doesn’t see a lumbering white elephant.

She sees “evidence of an effort to rebuild the city,” a facility that, while far from being the revenue generator that was once hoped for, is ripe for a renaissance if the other dominoes she plans to kick over tumble the right way. Above all, she refuses to see hopelessness. “I see rails,” she says. All of our assets.” And then Karen Freeman-Wilson smiles. Not just any smile, but the mile-wide, confidence-gushing, cando dazzler that helped make her the first female mayor of Gary, a job she began in January. It’s also the smile that has many in this beleaguered city believing that maybe, just maybe, they have finally found the thing that she, a woman of deep Christian faith, would never call herself: a savior.

If any place needs one, it’s Gary. The median household income here is $28,000—$20,000 less than the state median—and unemployment is nearly 16 percent. The city is bleeding money (its debt: $43 million and counting), bleeding population (178,000 residents in 1960; 103,000 in 2000; 80,000 in 2010), and just plain bleeding. According to FBI statistics, Gary was the murder capital of the nation for several years running in the 1990s and 2000s. By 2011, the city’s murder rate had dropped a fair amount, to 4.4 per 10,000—which may sound like great news until you consider that’s still nearly three times Chicago’s rate and seven times New York City’s. In Gary you’ll find no big-box stores, no movie houses, no downtown hotels, and no fine dining.

Rusted swing sets stand silent next to schools that have not heard children’s voices for decades. Curlicues of gang graffiti mar walls and overpasses. Some buildings—the soaring gothic City Methodist Church, the once majestic Palace Theater—are almost beautiful in their decay. That fact has made them a favorite of moviemakers looking for the perfect backdrop for postapocalypse ( Transformers: Dark of the Moon) and horror ( A Nightmare on Elm Street). As with so many problems, those in Gary tend to boil down to money. The city is so strapped for cash that even the main branch of the public library had to be shuttered.