Purchase Blind Threshold direct from Beats Antique here: 1. Egyptic 05:49 2. Runaway 05:05 3.

Revival 04:30 4. Braun Type 4169 Hand Blender Manual Pdf. Spiderbite 04:11 5. Rising Tide (feat. LYNX) 03:49 6. Daze 04:26 7. Vardo 04:05 8. Prelude 01:44 9.

For their third album, Contraption Vol. 1, Beats Antique brought in collaborators such as hammered dulcimer player Jamie Janover, and beat boxer and hip hop vocalist LYNX. Their 2010 release Blind Threshold featured harmonica player. Blind Threshold by Beats Antique, released 14 September 2010 1. Spiderbite 5. Rising Tide (feat. Egyptic by beats antique, released 14 September 2010 Egyptic from Blind Threshold by Beats Antique. Supported by eckelb. Blind Threshold by Beats Antique, released 14 September 2010 1. Spiderbite 5. Rising Tide (feat.

Miss Levine 05:05 10. Nasvalo (feat.

Eva Salina) 05:13 11. Grandstand 04:32 12. There Ya Go (feat. John Popper) 04:36 13. Merry Go Round 04:41 14.

• • • • • It’s telling that originally formed as a way to accentuate band member Zoe Jakes’ unique style of belly dancing. In fact, Jakes still dances during their performances. But it’s equally telling that one of the most prominent musical tools the group uses during performances is a sampler.

Ultimately, it’s that combination of Middle Eastern musical forms with dub, jazz, and techno that makes their sound so unexpected. Ultimately, it gets back to the dancing. This is music to dance to. Or, maybe to have in the background of a hip coffee shop or travelogue TV show.

But mostly for dancing. The Oakland-based three-piece seems to draw some attention from both the “world music” crowd and the jam band world. And deservedly so. They combine the best aspects of jam music (fun, funky, instrumental grooves and a playful willingness to experiment) with traditional polycultural music. Unfortunately, though, they occasionally combine the lesser aspects of both, namely jam’s numbing insistence and the half-hearted, vague nature that the term “world music” embodies. For instance, opener “Egyptic” twangs and whirls gracefully, the electronic scrapes on the fiddle intriguing.